Luke 22:64 says that Jesus’s captors blindfolded him prior to his appearance before the Sanhedrin, striking him and asking him mockingly to identify, if he’s the Son of God, who it was who struck him. Voila! Henry Vaughan (1621–1695) [previously] was a Welsh metaphysical poet, translator, and physician, known chiefly for his religious poetry in English. May 20, 2013 - Explore Victoria Jones Professional Ma's board "Portfolio Building" on Pinterest. Its first line is what inspired the image I chose—of numerous hands clawing at cloth. And being in agony he prayed more earnestly; and his sweat became like great drops of blood falling down to the ground. For dogs encompass me;    a company of evildoers encircles me;they have pierced my hands and feet—I can count all my bones—they stare and gloat over me;they divide my garments among them,    and for my clothing they cast lots. This doxastikon (a type of hymn) is sung during the Orthros (Matins) of Great and Holy Friday, which is prayed on the night of Holy Thursday. She … Spring up, O wine,And springing shineWith some glad message from His heart,Who did, when slain,These means ordainFor me to have in Him a part. Several times in the Gospels, Jesus refers forebodingly to “the hour” in which he will be captured, tortured, and killed. . Consider, too, the covenant of the pieces that God made with Abraham (Gen. 15:1–15), wherein God, manifest as fire, passed between the animal sacrifices Abraham had cut in half, ratifying the promise of a land flowing with milk and honey for all his descendants. I am reminded of the chief priests, scribes, and elders, who acted stealthily to see that this Jesus fellow, so-called Son of God, was done away with. Van Dongen collects organic materials from his surroundings in Tilburg, bringing them back to his studio. LISTEN: “Sanna, Sannanina,” traditional South African. But the others said, “Wait, let us see whether Elijah will come to save him.” And Jesus cried out again with a loud voice and yielded up his spirit. Home About Me Gallery ISTE Standards Professional Development Contact Gallery. Many of the playlist selections are narrative in character, while some have a more theological bent. There are still a few impressions left; contact the artist using the contact form on his website, www.paulvandongen.com, if you wish to inquire about a purchase. Their plotting kicks into high gear this week, when they get an insider from Jesus’s traveling band to surreptitiously report on his activity and whereabouts, which will enable them to swoop in for an arrest. Singer/Songwriter Victoria Jones from Huntsville, Alabama— works produced by Grammy Nominated Kelvin Wooten and 318 Production’s Canita “QuiteGirl” Rogers—is a … The options are endless. Each of the etchings on this page, excluding Resurrection, is from an edition of 15. 2:24). [Related post: “Turn Over the Tables (Artful Devotion)”]. Rise and pray that you may not enter into temptation.”. Though his eyes were not covered while he hung on the cross, the artist’s choice to cover them here amplifies the sense of his being in the dark, cut off, and also serves to identify him with other victims of political torture. I’ve never gotten around to posting it until now. What Rattner gives us, though, is a much more intimate interaction, made all the more so by its being tightly cropped. So he flipped over the sales tables and drove out the offenders. Those who feed on Christ are strengthened in their union with him in both his crucifixion and resurrection. An eclectic collection, the unifying theme is the combination of traditional arts with contemporary design. ’Tis midnight, and from all removed,The Savior wrestles lone with fears—E’en that disciple whom he lovedHeeds not his Master’s grief and tears. Untie it and bring it. And many spread their cloaks on the road, and others spread leafy branches that they had cut from the fields. I chose just a few pieces from it, not wishing to replicate the whole thing; as you can see, I tend to favor chorales over arias. There are hundreds of thousands of musical works, from a range of genres, inspired by Christ’s passion, especially his death on the cross, which, along with the resurrection, is the centerpiece of the Christian faith. . LOOK: Enrico Pinardi (American, 1934–2021), Crucifixion with Thorns, 2002. Ay! And they brought the colt to Jesus and threw their cloaks on it, and he sat on it. Nevertheless, not my will, but yours, be done.” And there appeared to him an angel from heaven, strengthening him. To add the playlist to your account, open the Art & Theology Holy Week Playlist link, then click on the More (…) icon and select “Save to Library.”, [Playlist cover art: Odilon Redon, Christ, ca. Home. The bread that we break, is it not a participation in the body of Christ?”, “Come,” the poem’s speaker continues, “antedate / On me that state / Which brings poor dust the victory.” He, as one who has already lost battle after battle against sin, asks that Christ grant him the victory post-factum, rendering his past losses of no account. And when he rose from prayer, he came to the disciples and found them sleeping for sorrow, and he said to them, “Why are you sleeping? And when they heard it, they were glad and promised to give him money. Jewish artist Abraham Rattner did not specify the identity of the figure in his 1944 painting Martyr, but he painted many images of the passion of Christ during the forties, so it’s likely meant to be a part of that body of work. Some churches hold a Tenebrae (Latin for “shadows” or “darkness”) service on Spy Wednesday, which involves a gradual extinguishing of candles along with readings from the passion narratives. The recording, rereleased on the compilation album Babel (2008), is originally from Lambarena: Bach to Africa (1995), a collaboration between French composer and producer Hughes de Courson and Gabonese composer and guitarist Pierre Akendengué, synthesizing two disparate sound worlds. I had the pleasure of hearing him preach in person at CIVA’s 2019 conference. Teacher Website. victory,Which from Thine eyeBreaks as the day doth from the East;When the spilt dewLike tears doth shewThe sad world wept to be released. “For me there is no fundamental difference between my explicitly religious works and my more profane, earthly works of art,” van Dongen says. Smithsonian American Art Museum, Washington, DC. Trevor Lee & Victoria Jones, Oct 23, 2020. Empathetic, the angel closes his eyes as if trying to absorb Jesus’s pain, to feel it along with him. But it does reinvigorate his trust in the Father’s will and prepares him to accept the cup, to drink its bitterness to the dregs. And they stripped him . In Imaging the Word, vol. Those who truly seek for more than what this world has to offer will find it. In this talk Victoria Emily Jones will share a handful of contemporary artworks that visualize that pivotal moment in salvation history when Mary said yes and set in motion the incarnation. . High Museum of Art, Atlanta. . Save me from the mouth of the lion!You have rescued me from the horns of the wild oxen! The hymn first came alive to me through a modern retune by The Wilders, sung with a simple banjo accompaniment. Fear of losing their power, of God’s truth being corrupted, of a changing status quo, of confronting their own hypocrisy. And the chief priests and the scribes were seeking how to arrest [Jesus] by stealth and kill him, for they said, “Not during the feast, lest there be an uproar from the people.” . . It was now two days before the Passover and the Feast of Unleavened Bread. 1,001 likes. Like the Samaritan woman at the well in John 4:13–14, to whom Jesus said, “Everyone who drinks of this [physical] water will be thirsty again, but whoever drinks of the water that I will give him will never be thirsty again. . Popular Songs. Professional Make-up & Hair Artist. Vaughan’s “The Feast” was originally published in 1655 in the expanded edition of his celebrated collection Silex Scintillans (1650). Though sonically compelling and worth listening to, I felt that it might impede some Christians’ ability to engage this list in a devotional way; so I opted for a traditional Western classical recording instead.). Private collection. William B. Tappan of Massachusetts does not indicate the physical presence of an angel with Jesus in Gethsemane but instead imagines a faint waft of angelic song, heard only by Jesus, servicing Jesus’s spirit in his moment of intense need. Inspired by life, people and the world around her, Victoria Jones creates music that speaks to everyday life and situations to uplight, enlighten and to edify. Our dreams, our work, our life and the boldness in which we lead, all amount to Love-- the laying down of ourselves to edify someone else.” -Victoria Jones. I mention these details because it’s important to see the structure of a poem. And from that moment he sought an opportunity to betray him. For info on his life and times, as well as his literary importance, see https://www.poetryfoundation.org/poets/henry-vaughan. “I think all nature is not just botanical,” the artist told me in an email when I inquired about the series. They didn’t like Jesus’s interpretations of God’s law. And when they had crucified him, they divided his garments among them by casting lots. After his triumphal entry into Jerusalem he tells the crowds that followed him that “the hour has come for the Son of Man to be glorified” (John 12:23), and he goes on to talk parabolically about his death. After searching for Pinardi online the other week to see what he’s been up to, I found that he died January 30 due to complications from COVID-19. I wish I had thought to ask about its location; I’m assuming it’s in a private collection somewhere, probably in the United States. During Jesus’s visit to Jerusalem for the feast of Passover, he was enraged to find in the outer court of the temple opportunistic businessmen setting up shop, charging Jewish pilgrims from throughout the Diaspora exorbitant rates to exchange their coins for temple currency so that they could purchase the requisite animal sacrifices. The water that I will give him will become in him a spring of water welling up to eternal life.”. The repetition of “’tis midnight” at the beginning of each stanza emphasizes the deep darkness—physical, psychological, and spiritual—of that Thursday night when Jesus was forcibly seized from prayer to be put to death on a cross. He said to them, “It is written, ‘My house shall be called a house of prayer,’ but you make it a den of robbers.”, —Matthew 21:12–13 (cf. In music performance or modes of civic leadership, Victoria abides by her personal belief and mantra: "We are all going through a process. 3:14), its strong verticality lifting our eyes in a rising motion. Victoria Jones is a freelance makeup artist with over 15 years of experience. They also dance a re-enactment of the brutal Spanish invasion, with satirical masks representing conquistadores. ’Tis midnight, and from ether plainsIs borne the song that angels know;Unheard by mortals are the strainsThat sweetly soothe the Savior’s woe. When Jesus had finished all these sayings, he said to his disciples, “You know that after two days the Passover is coming, and the Son of Man will be delivered up to be crucified.”. I and the Daily Prayer Project team chose this image for the cover of our Easter 2021 periodical, which is available for purchase in print or digital format. Thistles, seaweed, ivy, and other plants and flowers appear often in the work of Dutch artist Paul van Dongen [previously], whose creative output includes a series of etchings titled Crown of Thorns. Victoria jones. John recounts a similar episode at the beginning of Jesus’s ministry (John 2:13–17), mentioning the use of a makeshift whip! His drawings on the plate are done directly from life, with no sketches beforehand or photographs. all Thy griefsAre my reliefs,And all my sins Thy sorrows were!And what can ITo this reply?What—O God!—but a silent tear? A Knight and his Lady ... 1871–77 at the National Gallery of Victoria, Melbourne. Yet you are holy,    enthroned on the praises of Israel.In you our fathers trusted;    they trusted, and you delivered them.To you they cried and were rescued;    in you they trusted and were not put to shame. Oil on canvas, 40 × 501⁄8 in. In this painting by Maynard Dixon, four shadowy figures, cloaked and hooded, stand on a mound of earth. But you, O LORD, do not be far off! So it seems LaDuke has imagined Christ entering this Maya community of Christian celebrants who remember biblical history alongside their history as a people. This is the bread that comes down from heaven, so that one may eat of it and not die. It was a common expectation of Jews during Jesus’s time that Elijah would return as a precursor to the great day of the Lord (see Mal. Continuous in some ways with this somber series and yet visually and thematically distinct is van Dongen’s vibrant Verrijzenis (Resurrection) etching, made with colored inks and, using a process of his own making, printed watercolor. At The Victoria Jones Gallery, delicate cutwork screens from Asia stand alongside sculptured candlestick holders from Eastern Europe and contemporary paintings from sub-Saharan Africa. His etching shows a thorny stem with a few withered shoots bisecting a crown of thorns, breaking it in two, evoking the breaking of Jesus’s body on the cross and, moreover, the breaking of the curse of sin and death, of which thorns are a symbol (Gen. 3:17–19). LISTEN: “They have stripped me of my garments,” Byzantine hymn in plagal second tone, chanted by Vassilis Hadjinicolaou [HT: Global Christian Worship]. For more songs for Holy Week, see the Art & Theology Holy Week Playlist. He and his wife, Monique, perform the song on their second full-length album along with a team of other musicians, listed here. He granted me permission to reproduce the image on my blog, said he didn’t have a color photo. That week. [object record]. Now from the sixth hour there was darkness over all the land until the ninth hour. Jesus said to them, “I am the bread of life; whoever comes to me shall not hunger, and whoever believes in me shall never thirst. Header image: Section of sidewalk from Paradise Garden by Howard Finster, 1981. Her voice commanded the room; her message of empowering her community through art reminded me that creating goes beyond self. Acrylic on canvas, 72 × 68 in. Victoria Jones Annunciation Annunciation, ca. Wikimedia Commons has media related to Edward Burne-Jones 1850s. More specifically: the first two lines of each stanza are in iambic dimeter, and the third is in iambic tetrameter, repeat. He is also blindfolded. Perhaps the angel strengthened him at other points during his passion too? One hundred years later, the Rev. —Matthew 27:45–50 (emphasis added; cf. 5:7), were also price-gouged. Victoria Jones Artist at Freelance, self-employed Doss, Texas, United States 0 connections. Victoria Jones Jun 1, 2013 - I recently finished a brilliant novel called "The Language of Flowers" by an author with a name none other that Vanessa Diffenbaugh. Mark 15:33–37). (“The image is kinda black, white, and blue,” he clarified.) LOOK: Maynard Dixon (American, 1875–1946), Shapes of Fear, 1930–32. May your hearts live forever! Blessed is the coming kingdom of our father David! In my painting Guatemala: Procession, Christ appears on a donkey surrounded by the masks worn by the Mayans who dance to honor and celebrate their indigenous roots. One of these crowns he keeps on the wall of his studio, next to a seventeenth- or eighteenth-century Portuguese corpus (body of Christ) that his aunt gifted to him. My hope is that these pieces aid you in observing this most holy of weeks, walking with Christ through the shadows, taking in how “he himself bore our sins in his body on the tree, that we might die to sin and live to righteousness. And when he came to the place, he said to them, “Pray that you may not enter into temptation.” And he withdrew from them about a stone’s throw, and knelt down and prayed, saying, “Father, if you are willing, remove this cup from me. And about the ninth hour Jesus cried out with a loud voice, saying, “Eli, Eli, lema sabachthani?” that is, “My God, my God, why have you forsaken me?” And some of the bystanders, hearing it, said, “This man is calling Elijah.” And one of them at once ran and took a sponge, filled it with sour wine, and put it on a reed and gave it to him to drink. John 6 is a major reference point for Vaughan throughout this poem, which is where Jesus addresses the crowds whom he had just fed the day before with miraculously multiplied loaves and fishes: “Do not work for the food that perishes, but for the food that endures to eternal life, which the Son of Man will give to you. 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